{"id":2590,"date":"2020-12-10T00:32:49","date_gmt":"2020-12-10T00:32:49","guid":{"rendered":"https:\/\/ugocasiglia.it\/restoration\/"},"modified":"2024-07-08T07:40:07","modified_gmt":"2024-07-08T07:40:07","slug":"restoration","status":"publish","type":"page","link":"https:\/\/ugocasiglia.it\/en\/restoration\/","title":{"rendered":"Restoration"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.24.2″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Restoration and preservation work on musical instruments follows the same principles and presents the same issues as that on other types of cultural heritage. The difference lies in the expectations projected on the restored musical instrument: it should be ready to be played and used in so-called \u201chistorically informed\u201d performances. By restoring ancient musical instruments, we were able to shed light on both the timbre of instruments from historic eras and the performance practices of such eras. The ultimate purpose of any restoration work is for the instrument to be played professionally, thereby making it possible to gain insight into ancient sonorities.\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2024\/03\/Restauro-2-scaled.jpg” title_text=”Restauro 2″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.24.2″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”2_5″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2024\/03\/Restauro-3-scaled.jpg” title_text=”Restauro 3″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

It should be noted that musical instrument restoration has always been a controversial topic, giving rise to oftentimes opposite views\u2013which to this day is subject to conflicting opinions. Each restoration is a story in itself, which requires study and profound understanding on the part of the restorer, who has to balance the core concepts of the art of restoration and the natural desire of the owners to be able to play their instrument again. There is no doubt, though, that reversibility often cannot be achieved as a result of the normal decay of leather and felt, as well as of ancient plectrums and metal strings. The corrosion, dirt build-up and wear of the musical instruments\u2019 perishable parts is a documentary aspect to be taken into account. The early keyboard instruments are complex machines, made up of hundreds of elements often built using perishable organic materials. Moreover, sometimes musical instruments to be restored have already been altered from their original project, this complicates the restoration which only with profound experience can bring the instrument back to its original state.\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.24.2″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” text_font=”|300|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Our commitment to reconstructing the missing parts is a constant challenge, since the ancient production techniques have been lost but thanks to a profound knowledge of the historical originals and the construction of the replicas we are able to complete the restoration in all phases. At the same time as our work, the growing interest in early instruments has meant a renaissance of small businesses that produce otherwise unobtainable materials, such as metal strings, felts, leathers and more.. That is why restoration is a fascinating research work that explores very different fields\u2013but all of which are aimed at recapturing the voice of the instruments of the great masters of the past.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2024\/03\/Restauro-1-scaled.jpg” title_text=”Restauro 1″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”Row” _builder_version=”4.20.0″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” custom_css_main_element=”height:900px !important;” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2024\/07\/conrad_graf_bechstein1-scaled.jpg” title_text=”conrad_graf_bechstein1″ _builder_version=”4.25.1″ _module_preset=”default” width=”89%” custom_margin=”||11px|||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” custom_margin=”||88px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Conrad Graf \u2013 Vienna 1825ca #1085<\/h3>\n

 <\/p>\n

Length: 238cm<\/p>\n

<\/span>Compass: FF \u2013 f<\/p>\n

<\/span>Pedals:\u00a0<\/span>Una corda, bassoon, damper lifting, moderator, turkish music.<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjU2MTAifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.25.1″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” custom_css_main_element=”height:900px !important;” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2023\/03\/Copia-di-carlodemeglio1-scaled.jpg” title_text=”Copia di carlodemeglio1″ align=”center” _builder_version=”4.20.0″ _module_preset=”default” width=”99%” custom_margin=”||36px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”||60px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Carlo De Meglio – Napoli 1826 Op.207<\/span><\/h3>\n

 <\/p>\n

Length: 230cm<\/span><\/p>\n

Compass: FF \u2013 f<\/span><\/p>\n

Pedals: Una corda, bassoon, damper lifting, moderator<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM3NzMifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” custom_css_main_element=”height:900px !important;” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2023\/03\/fortepianoanonimoitaliano-1.jpg” alt=”Luigi Violi – Bologna XVIII sec.” title_text=”fortepianoanonimoitaliano” align=”center” _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”||49px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”||87px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Anonymus – Fortepiano – Italy 1820ca<\/span><\/h3>\n

 <\/p>\n

Length: 240 cm * 120 cm<\/span><\/span><\/p>\n

Compass: Fa0-Fa6<\/span><\/span>
<\/span><\/p>\n

Pedals: 4 pedals<\/span><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjUxMjEifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.20.0″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.25.1″ _module_preset=”default” width=”100%” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.25.1″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” hover_enabled=”0″ custom_css_main_element=”height:900px !important;” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2023\/03\/boisselotetfils-scaled.jpg” title_text=”boisselotetfils” _builder_version=”4.25.1″ _module_preset=”default” custom_margin=”||11px|||” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″ custom_padding=”||0px|||”][\/et_pb_image][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”||44px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Boisselot et fils \u2013 Marsille 1854<\/span><\/h3>\n

 <\/p>\n

Length: 210 cm * 130 cm<\/span><\/span><\/p>\n

Compass: Do0-La7<\/span><\/span>
<\/span><\/p>\n

Pedals: 2 pedals<\/span><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjUxNzEifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.20.0″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.25.1″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” hover_enabled=”0″ box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/F.-Hoxa-Vienna-1839.jpg” alt=”F. Hoxa Vienna 1839″ image_icon_width=”100%” _builder_version=”4.25.1″ _module_preset=”default” custom_margin=”-30px||-15px||false|false” custom_padding=”12px||||false|false” hover_enabled=”0″ image_max_width=”91%” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”58px||90px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

F. Hoxa – Vienna 1839<\/h3>\n

 <\/p>\n

Length<\/span>: 235cm<\/span><\/p>\n

Compass: CC – g<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwODkifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/J.-Bohm-Vienna-1820ca-scaled.jpg” alt=”J. Bohm Vienna 1820ca” _builder_version=”4.25.1″ _module_preset=”default” custom_margin=”||-19px|||” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”82px||55px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

J. Bohm – Vienna 1820ca<\/h3>\n

 <\/p>\n

Length<\/span>: 220cm<\/span><\/p>\n

Compass: Fa0<\/sub><\/span>-Fa6<\/sub><\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTMifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ admin_label=”Row” _builder_version=”4.20.0″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2022\/03\/GIACOMO-RIDOLFI-\u2013-ROMA-1670CA.-scaled-1.jpeg” alt=”Luigi Violi – Bologna XVIII sec.” title_text=”GIACOMO-RIDOLFI-\u2013-ROMA-1670CA.-scaled (1)” align=”center” _builder_version=”4.20.0″ _module_preset=”default” width=”67%” custom_margin=”||-1px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”24px||28px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Giacomo Ridolfi – Roma 1670ca.<\/h3>\n

 <\/p>\n

Length: 200cm<\/span><\/p>\n

Compass: C\/E \u2013 c (lower and broken octave)<\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM3NTEifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/Anonimo-clavicembalo-XVIIIsec-1-scaled.jpg” title_text=”Anonimo clavicembalo XVIIIsec” align=”center” _builder_version=”4.16″ _module_preset=”default” width=”87%” custom_margin=”||-8px|||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”7px||91px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Clavicembalo\u00a0<\/span>Anonimo <\/span>– XVIII sec.<\/span><\/h3>\n

 <\/p>\n

Length<\/span>: 225cm<\/span><\/p>\n

Compass: Do1<\/sub>-Fa5<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwODMifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/Brodmann-Vienna-1805.jpg” alt=”J. Brodmann – Vienna 1805ca” image_icon_width=”93%” _builder_version=”4.25.1″ _module_preset=”default” custom_margin=”-27px||102px||false|false” hover_enabled=”0″ image_max_width=”93%” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”13px||58px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

J. Brodmann – Vienna 1805ca<\/h3>\n

 <\/p>\n

Length<\/span>: 224<\/span>\u00a0cm<\/span><\/p>\n

Compass: Fa0<\/sub><\/span>-Fa6<\/sub><\/span><\/p>\n

<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwODUifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.0″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/Clavicembalo-Anonimo-Napoletano-XVIIsec.jpg” alt=”Clavicembalo Anonimo Napoletano XVIIsec” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||74px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

<\/span><\/p>\n

 <\/p>\n

[\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”||68px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Clavicembalo Anonimo – XVII sec.<\/h3>\n

 <\/p>\n

Length<\/span>: 200 cm<\/span><\/p>\n

Compass: Do1\/Mi1<\/sub><\/span>-Do5<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwODcifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/J.-SCHANZ-1825-scaled.jpg” alt=”J. SCHANZ 1825″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”12px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_blurb][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” custom_margin=”||91px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

J. Schanz – Vienna\u00a01825ca<\/h3>\n

 <\/p>\n

Length<\/span>: 237cm<\/span><\/p>\n

Compass: <\/span>Fa0<\/sub><\/span>-Fa6<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTUifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/M.-Jakesch-1825ca-Vienna.jpg” alt=”M. Jakesch 1825ca Vienna” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||76px|||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”||82px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

M. Jakesch – Vienna\u00a01825ca<\/h3>\n

 <\/p>\n

Length<\/span>: 235cm<\/span><\/p>\n

Compass: Do0<\/sub><\/span>-Fa6<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTcifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.0″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/clavicembalo-in-marmo-Michele-De-Grandi.jpg” alt=”Marble-harpsichord-signed-Michele-Antonio-Grandi-Galleria-Estense-in-Modena” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”158px||8px|||” custom_padding=”||23px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Michele Antonio De Grandi – Carrara 1681<\/h3>\n

 <\/p>\n

Length<\/span>: 267cm<\/span><\/p>\n

Compass: Do1<\/sub><\/span>-Do5<\/sub><\/span><\/p>\n

\u00a0<\/span><\/p>\n

 <\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTgifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/Pianino-Pleyel-4175-Parigi-1835–scaled.jpg” title_text=”Pianino Pleyel 4175 – Parigi 1835-” align=”center” _builder_version=”4.16″ _module_preset=”default” custom_margin=”21px||77px|||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”3px||87px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Pianino Pleyel 4175 – Parigi 1834<\/h3>\n

 <\/p>\n

Length<\/span>: 113cm<\/span><\/p>\n

Compass: <\/span>Fa0<\/sub><\/span>-Fa6<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMDEifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/Pleyel-n35876-Parigi-1863.jpg” alt=”Pleyel n 35876 Parigi 1863″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”||-13px|||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_blurb][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”29px||95px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Pleyel n. 35876 – Parigi 1863<\/h3>\n

 <\/p>\n

Length<\/span>: 220cm<\/span><\/p>\n

Compass: La-1<\/sub><\/span>-La6<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMDMifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.0″ _module_preset=”default” width=”100%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2021\/12\/strumento-casiglia-scontornato.png” alt=”Luigi Violi – Bologna XVIII sec.” title_text=”strumento casiglia scontornato” align=”center” _builder_version=”4.20.0″ _module_preset=”default” width=”100%” custom_margin=”||83px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” custom_margin=”||56px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Luigi Violi – Bologna XVIII sec.<\/span><\/h3>\n

 <\/p>\n

Length: 113 cm * 48 cm<\/span><\/p>\n

Compass: C \u2013 g<\/span>
<\/span><\/p>\n

Pedals: damper lifting, moderator.\u00a0<\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM3OTUifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” box_shadow_style=”preset3″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb image=”https:\/\/ugocasiglia.it\/wp-content\/uploads\/2020\/12\/G.-Haschka-Vienna-1820ca.jpg” alt=”G. Haschka – Vienna 1820ca” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||87px|||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_blurb][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” custom_margin=”||86px|||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

G. Haschka – \u00a0Vienna 1820ca<\/h3>\n

 <\/p>\n

Length<\/span>: 140cm<\/span><\/p>\n

Compass: Fa0<\/sub><\/span>-Fa6<\/sub><\/span><\/p>\n

[\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTEifX0=@” button_text=”Scopri di pi\u00f9” button_alignment=”center” _builder_version=”4.16″ _dynamic_attributes=”button_url” _module_preset=”default” custom_margin=”-3px|||||” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding=”16px|16px|16px|16px|true|true” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Restoration and preservation work on musical instruments follows the same principles and presents the same issues as that on other types of cultural heritage. The difference lies in the expectations projected on the restored musical instrument: it should be ready to be played and used in so-called \u201chistorically informed\u201d performances. By restoring ancient musical instruments, […]<\/p>\n","protected":false},"author":1,"featured_media":5474,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2590","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages\/2590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/comments?post=2590"}],"version-history":[{"count":0,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages\/2590\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/media\/5474"}],"wp:attachment":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/media?parent=2590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}