{"id":3262,"date":"2021-01-31T16:44:31","date_gmt":"2021-01-31T16:44:31","guid":{"rendered":"https:\/\/ugocasiglia.it\/restoration\/j-schanz-vienna-1825ca\/"},"modified":"2022-04-07T15:52:05","modified_gmt":"2022-04-07T15:52:05","slug":"j-schanz-vienna-1825ca","status":"publish","type":"page","link":"https:\/\/ugocasiglia.it\/en\/restoration\/j-schanz-vienna-1825ca\/","title":{"rendered":"J. SCHANZ &#8211; Vienna 1825ca"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.6.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.6.6&#8243; _module_preset=&#8221;default&#8221; width=&#8221;auto&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.6.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.8.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Toward the end of the <\/span><span style=\"font-weight: 400;\">18th century<\/span><span style=\"font-weight: 400;\">, Johann Schanz was one of the most prominent makers in Vienna. He took over the family business after the death of his brother Wenzel. His instruments, appreciated by Haydn, were produced by a large, organised, and productive workshop. Many of his instruments were intended for the Italian market, as is evident by the many exemplars still in Italy, as well as by others now abroad but originally located in Italy. This fortepiano comes from the Florentine art market. A careful restoration has perfectly re-established its functionality. Small parts were rebuilt based on similar instruments by Schanz. This fortepiano has been used for numerous recordings and played on the occasion of two editions of the Clementi Competition in Rome.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><\/span><\/p>\n<figure class=\"wp-block-table is-style-stripes\">\n<table>\n<tbody>\n<tr>\n<td>DIMENSIONS<\/td>\n<td>237 x 125<\/td>\n<\/tr>\n<tr>\n<td>COMPASS<\/td>\n<td>FF &#8211; f<\/td>\n<\/tr>\n<tr>\n<td>STOPS<\/td>\n<td>5 pedals<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=&#8221;1996,1997,1998,1999,2000,2001&#8243; posts_number=&#8221;20&#8243; show_title_and_caption=&#8221;off&#8221; show_pagination=&#8221;off&#8221; module_class=&#8221;portrait&#8221; _builder_version=&#8221;4.7.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_gallery][et_pb_audio audio=&#8221;https:\/\/ugocasiglia.it\/wp-content\/uploads\/2022\/04\/Beethoven-\u2013-Sonata-Op.-102-in-D-Major-\u2013-Allegro-con-brio.mp3&#8243; title=&#8221;Beethoven \u2013 Sonata Op. 102 in D Major \u2013 Allegro con brio&#8221; _builder_version=&#8221;4.14.8&#8243; _module_preset=&#8221;default&#8221; title_level=&#8221;h1&#8243; title_font_size=&#8221;18px&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; text_orientation=&#8221;left&#8221; background_layout=&#8221;light&#8221; custom_padding=&#8221;14px||14px||false|false&#8221; hover_enabled=&#8221;0&#8243; border_radii=&#8221;off|22px|||22px&#8221; border_width_left=&#8221;2px&#8221; border_color_left=&#8221;#C51927&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; title_text=&#8221;Traccia 7&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toward the end of the 18th century, Johann Schanz was one of the most prominent makers in Vienna. He took over the family business after the death of his brother Wenzel. His instruments, appreciated by Haydn, were produced by a large, organised, and productive workshop. Many of his instruments were intended for the Italian market, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1938,"parent":2590,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3262","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages\/3262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/comments?post=3262"}],"version-history":[{"count":0,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages\/3262\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/pages\/2590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/media\/1938"}],"wp:attachment":[{"href":"https:\/\/ugocasiglia.it\/en\/wp-json\/wp\/v2\/media?parent=3262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}